In the fall of 2017, Grammy Award-winning NYC composer Herschel Garfein called me to discuss the making of an album cover. He had seen some of my portraits of former U.S. Poet Laureate Donald Hall, who lives in New Hampshire. For the previous year, he had been working with Donald Hall, tenor Michael Slattery, and pianist Dimitri Dover, among others, on an album of classical music using Donald Hall’s poems. The album is called Mortality Mansions. It’s about love and loss over the age of sixty.
Over the next few months, I visited Donald Hall and talked with Herschel about ideas for the album’s images (front cover, back cover, and individual portraits). I thought about–and we discussed–everything from the overall mood of the images, to the styling, lighting, composition, and every item that would appear in each image.
I’ve been friends with Donald Hall for more than 22 years, since my poetry-writing days when I would write to his wife, Jane Kenyon, and later, after her death, to Don.
Once we decided on a “Vanity Fair” look–soft, almost moody lighting, fairly serious but calm expressions, and muted, antique tones, I went to work on even more details. While visiting Don at his home, Eagle Pond Farm, in Wilmot, New Hampshire, I saw the place where I wanted to create the cover image. I loved the old wood stove, the hallway that adds depth and mystery to the portrait, the paintings, Don’s photo of President Barack Obama presenting him with the National Medal of Arts, among so many other things.
On the mood board I had created for this shoot, I added a painting by Modigliani, an Italian painter in the early 1900s, (who, coincidentally, loved poetry). The painting is called Seated Man with a Cane. What I love about this painting is the dignity. I knew the cane would give Don something to do with his hands, and I also wanted to show the ring that he and his wife Jane Kenyon got in India. He wears it all the time.
There were challenges: We would have to move furniture as soon as we arrived. The ceilings are 7′ tall, Dimitri is 6’4″, and my lighting modifiers are huge! And we had one hour from the moment we walked in to the moment we left, including set up and breakdown of equipment, and putting all the furniture back. I’m a planner, so I was undaunted (okay, maybe a little daunted!).
One thing I really wanted was for Don’s cat, Louise, to enter the picture. I dreamed this and then I couldn’t stop thinking about it! There was a lot of commotion, with everyone getting ready, moving furniture, and my assistant, Estee and I setting up lighting and equipment as fast as we could. This is precisely the kind of environment a cat avoids! Still, I didn’t give up on it. In my mind, I whispered to Louise to come join the picture. When everything was set up, we still had to move fast, but we stayed calm and kept our voices low. It worked! Once I got everyone in place and directed their expressions, Louise came out to explore, and seemingly, to check on Don. Louise, the magical cat.
Album front cover portrait
Album back cover portrait
We did a few portraits in the kitchen before we left the house. Here are some behind-the-scenes photos.
We also worked in the barn.
Don and Louise
The Epilogue to Herschel Garfein’s song-cycle album Mortality Mansions is his music set to Jane Kenyon’s poem “Otherwise.” It’s now available on Apple Music. Performed by Marnie Breckenridge and Dimitri Dover, also featuring Michael Slattery. The album is, which is co-produced by Kabir Sehgal, is coming June 8 from Delos Records.
You can listen to “Otherwise” here.
You can pre-purchase the entire Mortality Mansions album here.
Special thanks to assistant Estee Cuddihy